Discussion:
Henry Ford's activities
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k***@gmail.com
8 years ago
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I see this is an old thread, but VERY interesting to me. I am doing research on the history of jazz violin or fiddle, and have been fascinated as a fiddle player, that there are so few jazz violinists, especially since the early beginnings of jazz there were MANY violinists playing jazz. But by the 30's and certainly the forties and fifties the violin was seen as not belonging in jazz. I wonder if Henry Ford's support for fiddle contests and square dance weren't seen as a antidote for his apparent dislike of jazz. Whether Ford himself felt that way, was his pushing the art of country fiddle seen as supporting white music as opposed to Black?
I hear some anecdotal evidence here that he was racist is at least some of his attitudes. Did that include racist attitudes to Jazz as Black music as well? If any of the original respondents are out there, I'd love to hear your comments on this...
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Paul Gifford
6 years ago
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I happened to read this thread, some 20 years after it happened, and read your comments. I don't think Henry Ford had anything to do with jazz violin. Depending on how you define jazz, I'm sure that a lot of 1920s dance orchestras included leaders who played the violin, simply because dance orchestras had always been led by violinists/fiddlers. Depending on what part of the country they lived in, these orchestras, if they were professional, commercial outfits, would have learned the latest styles. So, when fox trots came in during the teens, they added a tenor banjo, replaced the clarinet with a sax, and played them, in addition to waltzes, schottisches, quadrilles, two-steps, etc. Perhaps because the new dances allowed more dancers per square foot, the music needed to be louder. So the saxophone and trumpet became dominant, and violins disappeared. A few odd violinists might play jazz improvisation and swing with small groups, and a small number of Hungarian Gypsy violinists might play some jazz in a few places, but basically it was small numbers.
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